Between art prints and rock posters, I produce between 40 and 50 screen prints each year. This coming year (2014), I plan to do the same, as well as produce postcard sets, LP covers, etc. Lots of really cool stuff is planned for 2014. DETAILS: Subscribers will get one of everything I print for the entire 2014 calendar year
(with matching edition numbers). Between art prints and gig posters, I
produce 40-50 prints a year. Subscribers also get some bonuses, like
test prints, an original sketch or two, and an exclusive
subscribers-only print. I send subscription
tubes out twice a year, once in June or July for the first half of the
year and the second installation is shipped shortly after the end of
the subscription year. Additionally, each subscription package is shipped in sturdy 6-inch diameter shipping tubes. PRICING: For US and Canada, the cost is $475 for the year Internationalsubscriptions: $550 (price difference is to cover the postage expense) Regarding
payment, I am totally fine with setting up payment plans. A lot of
subscribers will pay in full at once, but just as many will pay in two,
three or four payments. Just ask!
Please contact me if you're interested in subscribing or if you have any other questions.
I'm back from LA and dealing once again with the cold of Chicago, haha. I had a great time out west for the Gallery 1988 show with JCRichard. If you're interested, the entire show has been posted online here.
I had some pretty incredible food while we were in LA ("we" meaning me and my excellent girlfriend, Ingrid). Kevin Tongmet us for dinner before the opening reception and showed us Cafe Gratitude, which more or less blew my mind. Our hosts, Jimmy and Sean (Ingrid's uncle and his partner, respectively) showed us a great time, some lovely sights, and an interesting documentary about the 1980's underground drag scene.
Jensen, Kate, Amber, and rest of the crew at Gallery 1988 all did an awesome job hanging the show, and everything looked great. I finally met JC Richard in person, and he was even nicer than he is in his emails. It feels good to be back, even after such a short trip. I've suddenly got a lot to finish before leaving for Austin to participate in Flatstock 38. There's some pretty cool stuff coming up. Real talk.
So as I've been mentioning a lot here and on myspace facebook, I will be showing a bunch of new paintings and art prints alongside Mr. JC Richard at Gallery 1988 (Melrose). Both Richard and I will be in attendance on the night of the opening reception (March 1st, 2013), and the show will be up through March 23rd. I just took a whole mess of work over to my dear photographer friend Logan to be photographed. I spent a good chunk of yesterday evening cropping and adjusting the photos, so those of you who don't live in the LA area will still be able to see the show on Gallery 1988's website when the show goes live (more info on that very soon hopefully). Okay! Time to start packing up prints and paintings to send to the gallery, and I've one more new art print to squeeze in for the show. Stay tuned for a few previews.
Here's a blurry phone photo of me laying down a hand painted layer on a few wood variants of a new art print. I'm trying something new for the upcoming show at Gallery 1988. There will be (very) limited runs of some of my prints on maple plywood. This particular one has a hand painted color on each wood print.
Oh hi! Here's a close up (poorly lit, not-sharply-focused) picture from a new art print I just finished. The rest of this print, along with other new prints, along with several paintings, along with lots of new work from JC Richard will be unveiled at Gallery 1988 on March 1st. Okay, back to work!
The other day, my friend Derek emailed me a picture he had seen of an empty warehouse on the southside of Chicago that had caught fire during a recent cold snap. The water from the fire hoses froze rather quickly, completely coating the building and nearby lightpoles, power lines, vehicles, etc. in a thick coating of ice. My lovely girlfriend convinced me to take a day off this past Thursday, so we decided we would take a drive that afternoon and see this building for ourselves. The fire had apparently flared up again, so there were three fire hoses aimed at the building, some police tape and roadblocks on Ashland Street, as well as several members of the Chicago Fire Department on the scene. Nevertheless, we were able to get pretty close to the action and take snapshots of this bizarre and accidentally beautiful spectacle. It has not been reported that anyone was hurt or injured in this fire, as the warehouse was unoccupied (it didn't even have working gas or electricity), so we were able to satisfy our curiosity without feeling too much like morbid camera-phone vultures. To see an old and nearly forgotten building caked in ice made me think about what our world might look like if a new ice age came to be. I tried to imagine all of our magnificent structures, phenomenal feats of human engineering, transit systems, commercial airplanes, factories, roller coasters, water towers, missile silos--for better or worse--thickly entombed in frost for a future civilization to eventually discover. I'd never seen anything like this before. This has been a relatively hot topic here in Chicago, and between the scale of the fire (reportedly the largest in the city in seven years) and the remarkable appearance of a scorched and iced-covered warehouse; I think this will be a memorable little footnote in the city's history. I know I'll always remember it, and I'm certain some kind of drawing and/or print will come of the many photos I took the other day.
I am a Chicago-based studio artist and illustrator. I am using this page to document and publish artwork, posters, exhibitions, illustration work, process, travels, and anything else I happen to find interesting.